By Murray Leeder
Cinematic Ghosts includes essays revisiting a few vintage ghost motion pictures in the genres of horror (The Haunting, 1963), romance (Portrait of Jennie, 1948), comedy (Beetlejuice, 1988) and the artwork movie (Uncle Boonmee Who Can keep in mind His prior Lives, 2010), in addition to essays facing a couple of movies from all over the world, from Sweden to China. Cinematic Ghosts strains the archetype of the cinematic ghost from the silent period till this day, delivering analyses from a number ancient, aesthetic and theoretical dimensions.
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Cinematic Ghosts: Haunting and Spectrality from Silent Cinema to the Digital Era by Murray Leeder